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Written by Paul D. Race for Family Christmas Online™





















































































































The Boar's Head Festival, from Family Christmas Online™

Welcome to a few pages celebrating one of the oldest - and possibly strangest - Christmas traditions that is still in use today. It is an English tradition that resulted from a combination of ancient feasts with Christian traditions.

Why the Boar? - Since ancient days, the boar was the most dangerous - and tastiest - game sought by hunters in what we now call Great Britain. When possible, it was the centerpiece of all great feasts, pre-Christian and Christian alike.

Why Just the Head? - Unlike a roast pig, which you could carry to the table whole and carve up there, a boar might weigh several hundred pounds and be too big or take too long to cook in one piece. So the boar would be butchered and prepared before the feast, but the head would be decorated and brought in as a tribute to the mighty hunter who had brought it down.

The Tradition Becomes "Christian" - The earliest Anglo-Saxons who invaded Britain (and drove out many Christian Celts) had a religion similar to the ancient Vikings, but they were soon followed by Christian missionaries. As Christianity began to change the Anglo-Saxons, the culture of the Anglo-Saxons also began to flavor English Christianity as well. British and English saints began to be added to the church registry, and ancient pagan festivals were often given "Christian meanings"

The "Christianized" Boars' Head festival took the tradition of presenting the boar's head to the hunter and turned it sideways - the boar became a symbol for Death, which Jesus "slew" at His resurrection. So the festival honors Christ as the "mightiest hunter of them all."

The Queen's College Legend - Tradition traces the most popular version of the "Boar's Head" festival to Queen's College, in Oxford, England. According to legend, a student who was attacked by a boar on Christmas Eve in 1340 overcame the animal by ramming a book of Aristotle down its throat. At the subsequent Christmas-day feast, pork was on the menu. But, in honor of Christmas, the boar's head was presented, not to the hapless scholar, but to the Christ Child whose birth was being celebrated.

When possible, medieval sights and sounds are part of the feast.  Click to see larger picture.The Festival Grows - As the festival spread to other parts of England, the presentation of the decorated boar's head grew into a sort of parade. People who were dressed as fourteenth-century pages, cooks, jugglers, lords and ladies joined the procession singing carols.

Many other traditions and costumes have been added since, including characters from the Christmas story and other medieval Christmas traditions. In a wealthy manor two centuries ago, there may have been a mix of banquet and pageantry that is seldom encountered today. In the most elaborate presentations, a new set of players may have come in with each course. They might be dressed, say as King Wenceslaus and his servant, or as Robin Hood and Maid Marian. There would have followed a skit or a song, then those players would have bowed and exited, or joined the other players to sing along with the ever-growing chorus.

Today, to see the big, pageantry verision, you'll probably go to big church or auditorium to enjoy the show without the meal. Or you may attend a "Madrigal Dinner" version. These include a "sit-down" feast but replace some of the pageantry with dialogue, as the Lord and Lady of the feast banter with the jester and any other characters who have been written in. Either way, you will never see the same Boar's Head festival twice.

The festival described here is based on several festivals that follow about the same pattern, including the festival presented for many years by the Grace United Methodist Church, in Dayton Ohio. Some of the photos are from Grace United's 2007 Christmas Celebration Page (which has been removed since I first posted this page).


This is an Albertine Randall Wheelan painting used on a Christmas Card in the early 20th century. Click for a larger picture.

The Festival Opening

Prelude -Usually instrumental and or choral ensembles performing Renaissance-era hymns and Christmas songs.
The Opening Bell - A gong or ringing of the church bells sounds the hours.*
The Christmas Sprite - A small child representing This Christmas Sprite is from Grace United Methodist Church, Dayton Ohio, 2007 celebration. Click for bigger photo.the spirit of Christmas carries a taper to the altar. An adult (often the pastor of the church hosting the festival) uses the taper to light the large Festival Candle and presents it to the congregation.
The Lord and Lady of the Feast - The Lord and Lady of the Manor welcome all present.
The Boar's Head is Presented - While the Boar's Head Carol is sung, a company of singers brings in the boar's head and sets it on the altar. Other "steaming" dishes representative of the period are also presented, such as plum puddings and mince pies.

The Boar's Head Carol

    The boar’s head in hand bring I,
    Bedeck'd with bays and rosemary.
    I pray you, my masters, be merry
    Quot estis in convivio.**
      Caput apri defero
      Reddens laudes Domino
      ***

    The boar's head, as I understand,
    Is the rarest dish in all this land,
    Which thus bedeck'd with a gay garland
    Let us servire cantico.****
      Caput apri defero
      Reddens laudes Domino

    Our steward hath provided this
    In honor of the King of Bliss;
    Which, on this day to be served is
    In Reginensi atrio.*****
      Caput apri defero
      Reddens laudes Domino

    The mightiest hunter of them all
    We honor in this festal hall
    Born of a humble Virgin mild,
    Heaven's King became a little child:
      Caput apri defero
      Reddens laudes Domino

    This photo is from the celebration at Grace United Methodist's 2007 celebration. Click for bigger photo.He hunted down through earth and hell
    That swart boar Death until it fell.
    This mighty deed for us was done,
    Therefore sing we in unison:
      Caput apri defero
      Reddens laudes Domino

    Let not this boar's head cause alarm,
    The huntsman drew his power to harm.
    So death, which still appears so grim,
    Has yielded all its power to Him!
      Caput apri defero
      Reddens laudes Domino

Other Presentations

Now additional celebrations of Christmas cheer are presented, often with congregational songs between each presentation. When one group of presenters is done, they step aside to make room for the next group, but they add their voices to the congregational singing. The additional presentations may include (in almost any sequence):
This painting is from a Clapsaddle Christmas card. Click for bigger picture.Other Groups in Procession - Cooks, peasants, lords and ladies, jugglers, church officials, all dressed in 14th-century English costumes and representing the "high" and "low" of society.
Good King Wenceslas - The carol "Good King Wenceslas" is sung and acted out. The characters may pantomime, or the King and Page may sing their lines, with the chorus or congregation singing all of the other lines.
Carolers - Renaissance-era revelers may lead carols such as "Here We Come a Caroling"
The Yule Log - This may come in with the carolers or in a separate presentation. Again, traditional carols such as "The Holly and the Ivy" are sung. If "Deck the Halls" is sung, there may be a symbolic "decoration" of the auditorium, such as a Christmas tree being unveiled, or banners being unfurled.
The Shepherds and Magi - The shepherds may lead in singing of "Angels We have Heard on High" and similar songs. The Magi representing Caspar, Melchior, and Balthazar may sing their respective verses to "We Three Kings," while the congregation joins in on the rest of the song. One advantage in placing the Bible characters last is that songs like "O Little Town of Bethlehem" can be used to help transition the ceremony to a time of worship.

The Festival Closing


The cast of Grace United's festival comes to join in congregational singing at the end of the ceremony. Click for bigger photo.Congregational Worship - Although there may be congregational singing throughout the ceremony, many groups close with a congregational song or three. On a song like "O Come All Ye Faithful," all of the presenters may crowd back to the front to represent the world coming to Christ.
Recessional - Led by the boars' head, and accompanied by music, the presenters briskly leave the auditorium by the center aisle. Last of all, as the room darkens, the pastor and Christmas Sprite leave, carrying their respective candles. The gong or church bells sound the end of the ceremony.

This photo is from Grace United's celebration. Click for bigger photo.* At Grace United Methodist Church in Dayton, Ohio, a regiment of Beefeaters, traditional guardians of the King procedes slowly up the aisle, then stands guard over the following ceremonies. The Beefeater costumes are not exactly valid for the fourteenth century, but they look very traditional and impressive.

**Quot estis in convivio means "when you are feasting."

***Caput apri defero Reden laudes Domino means "The head I carry giving praise to the Lord." (I warned you this was a little medieval.)

****Servire cantico means "serve with a song."

*****Regimensi atrio means "the monarch's hall."

Sample Programs and Scripts

As you'll see when you start researching this for yourself, producing a pageant in an auditorium is more about dancing, singing, and parading than it is about scripts, though you'll still want lines for the Lord and Lady of the feast to say, etc. When you move to a smaller venue and add supper to the mix, you'll probably have less room for parades and dances, which means more of the evening will be taken up by scripted interplay between the characters. The following programs and sample scripts are just to give you an idea of the scope of either undertaking and perhaps give you inspiration for your own version.

Personally, if I was in charge of one of these programs, and running out of pageantry ideas, I'd be inclined to include mummers to the presentation, perhaps scripted as a troupe that has arrived at the castle door and begs admittance. An abbreviated version of the "Peace Egg" might be quite fun, especially if you can scrounge a dragon costume and include a slapstick-filled "battle" between St. George and the Dragon. But that's just me.

  • Sample Festival Programs - If you're thinking of producing the big, auditorium version and are looking for inspiration, check out these programs from notable festivals:

    I also understand that some of the big churches that have been putting these on for a long time will rent their scripts to other organizations for a very reasonable fee. Usually the church music director either handles this or can put you in touch with whoever handles it.

  • Sample Madrigal Dinner Scripts - If you'd rather serve dinner, you'll probably need to scale back on the pageantry and give the actors more to do. Here are examples of two entirely different school program scripts that do just that, followed by two sample rental scripts.

    • Drexel University Chorus has graciously shared their 2014 Madrigal Script online. This script includes a lot of humor based on renaissance British history, but it's generally broad enough for non-history majors to get. This approach should work for companies that want to keep the impression of a trip back in time, while still being accessible to modern audiences. If that link doesn't work, click here

    • The Lincoln Sudbury Regional High School's 2009 Madrigal Dinner script has many speaking parts, a lot of anachronistic humor, and a lot of banter among the principals. If that link doesn't work, click here.

    • For $10 a performance, you may rent the script provided by ContemporaryDrama.com. Click here to download a sample.

    • Playwright Kevin Fisher Kelleher has provided a script that is mostly humorous but doesn't break the "fourth wall" too often. Click here to download a sample.

For More Information

The most complete account of the history of this feast I can find is on the Hymns and Carols of Christmas site. I used to have other links here, but that site has incorporated so many materials and links onto a few pages, that it will be your best starting point.

Conclusion

Like mumming, Morris dancing, and many other reenactments of renaissance European culture, the Boar's Head may cause a bit of "culture shock" for first-time attendees who don't have any idea what to expect. But for the many churches and organizations who have done this year after year, it has become a cherished part of their own holiday traditions. The participants - "royalty" and "spear carriers" alike - find themselves looking forward to next year's presentation even more than the audience.

Whatever holiday traditions you choose to make part of your family's experience, we hope that your family will be blessed and will be a blessing to others this Christmas.

God grant you and your loved ones grace and a spirit of generosity and service this season.

Paul D. Race, Family Christmas Online


If you have any corrections, comments, or additions you would like to make about this article, please contact me and I will be glad to hear from you. God bless - Paul












































































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